i. Introduction

Binky the doormat is the blog of Daniel Gray, a designer and bespectacled adventurer living in York, UK.

ii. Details

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iii. Twit

    iv. Forage

    v. Elsewhere

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    21 November 2009 / Comments

    “I’m never satisfied with my work. Invariably, two weeks after finishing a design, I feel like I can do better. When I originally tried to design my blog, I kept finishing a design, hating it and starting over. This happened ten or twelve times until I finally gave up. Eventually, I realized that each post could stand on its own and be its own design that fit the content. Despite the holdbacks of HTML and CSS, it has worked much better than I had even anticipated.”
    Dustin Curtis, in The Death of the Blog Post

    20 November 2009 / Comments

    20 November 2009 / Comments

    20 November 2009 / Comments

    20 November 2009 / Comments

    Affiliation by Ed Ruscha (for Dr B).

    Affiliation by Ed Ruscha (for Dr B).

    18 November 2009 / Comments

    “By all accounts, watching Twilight is the cinematic equivalent of seeing a turnip shaped like the Virgin Mary: a miracle for the devoted, a punchline for everyone else.”
    Excellent reappraisal of Twilight by the AV Club’s Zack Handlen.

    18 November 2009 / Comments

    Brooklyn Army Base, 1949 from randomnyc. Hey, sci-fi film-makers, why not save some money: your sets are already out there.

    Brooklyn Army Base, 1949 from randomnyc. Hey, sci-fi film-makers, why not save some money: your sets are already out there.

    18 November 2009 / Comments

    “Unlike other artists of his generation, but with an enthusiasm that, again, would be familiar to any graphic designer, Ruscha began publishing, early and often. Books like Twentysix Gasoline Stations and Every Building on the Sunset Strip were ways of documenting his deadpan obsessions at a modest cost (400 numbered copies for $3.00 each) that, he felt, anyone could afford. ‘I want to be the Henry Ford of book making,’ he explained at the time. Obviously, at that price the books would be sold at a loss, but, he confessed, ‘It is almost worth the money to have the thrill of seeing four hundred exactly identical books stacked in front of you.’”
    Ed Ruscha: when art rises to the level of graphic design at Design Observer

    17 November 2009 / Comments

    17 November 2009 / Comments

    “An old Indian craftsman carved elephants from timber. When asked how, he’d say ‘I just cut away the wood that doesn’t look like an elephant’”
    Er … not sure where this is from … other than The Chase’s website that it.

    16 November 2009 / Comments

    Have created a gallery and had a bit of a rant on Flickr about the potential that Stonebow House has to be a Southbank Centre for York. Check it out – and please leave comments! I’m trying to start a bit of public debate about this before some narrow-minded council numpty decides to knock the place down simply because it wasn’t built in the 1600s.

    Have created a gallery and had a bit of a rant on Flickr about the potential that Stonebow House has to be a Southbank Centre for York. Check it out – and please leave comments! I’m trying to start a bit of public debate about this before some narrow-minded council numpty decides to knock the place down simply because it wasn’t built in the 1600s.

    13 November 2009 / Comments

    Just spotted this on Covered: Dan Scanlon’s version of X-Men #1. Big smiles all round.

    Just spotted this on Covered: Dan Scanlon’s version of X-Men #1. Big smiles all round.

    13 November 2009 / Comments

    Lots of great work by illustrator Martin Ansin (via Phil Coffman).

    Lots of great work by illustrator Martin Ansin (via Phil Coffman).

    12 November 2009 / Comments

    “Design has nothing to do with fashion. Philippe Starck is an artist not a designer. He has made some interesting products, OK, but maybe he should think a little bit more! There’s such a lot of things. Such a lot of unusable things. Most things are unnecessary and overdone. Look around. We cannot send to the Third World all the garbage we don’t need any more. We have to go back to more simplicity, longevity.”
    Dieter Rams, interviewed by Tom Dyckhoff

    11 November 2009 / Comments